VarietyAlthough often visually striking and undercoated by a compelling sci-fi concept, graphic-novel adaptation V for Vendetta fee...
EmpireSetting out more to challenge us with its ideas than make us whoop at the action, Vendetta can be clumsy, but there are enou...
Chicago Sun-TimesV for Vendetta, directed by James McTeigue, almost always has something going on that is actually interesting, inviting us t...
Richard RoeperThere are some great, brilliant action scenes, but this is more thoughtful and darker and more in the vein of Batman Begins....
Village VoiceAbsorbing even in its incoherence, V for Vendetta manages to make an old popular mythology new.
Chicago TribuneOnly here and there do you find the spark and kinetic zap delivered by the first Matrix picture.
ReelViewsA visually sumptuous concoction that combines political allegory, bloody action, and a few stunning cinematic moments into a...
Entertainment WeeklyV for Vendetta has a playful-demon vitality, but it's designed to let political adolescents of every age congratulate themse...
Los Angeles TimesV for Vendetta is not a movie of ideas so much as it is an idea mall. By the time you've gotten through it, you feel spent, ...
Washington PostV for Vendetta is a piece of pulp claptrap; it has no insights whatsoever into totalitarian psychology and always settles fo...
The Boston GlobeThe movie's a handsome piece of work, dramatically powerful even when it backs into silliness.
Film ThreatAside from a handful of fight scenes (only one of which evokes any serious eye-rolling), the Wachowskis actually seem to hav...
Houston ChroniclesAs manifestoes go, this one's a beauty: draped like a funeral, smart as a whip and full of black-hearted romantic monologues...
Box Office MagazineIt all unfolds to an apex of the triumph of the best of humanity that could even change the real world.
The Austin ChronicleWhat it has for certain, and what it has in spades, are some very real ideas. And, to paraphrase this V fellow, ideas are bo...
PremiereV for Vendetta's strength beyond its substantial movie-movie value is not in how it pitches its ideas, but to whom.
Dark HorizonsMajor studio pictures can certainly be more creative, but they're rarely as bold as this.
San Francisco ChronicleRichly satisfying entertainment the way movies are at their best, when they prod you to think.
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Partial Film Information
Director: James McTeigue
Writer: Alan Moore (comic)
Studio: Warner Bros Pictures
Cast: Natalie Portman, Hugo Weaving, Stephen Rea
Release: March 17, 2006
Writer: Alan Moore (comic)
Studio: Warner Bros Pictures
Cast: Natalie Portman, Hugo Weaving, Stephen Rea
Release: March 17, 2006
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