Additional information for The Unforeseen, which has a domestic theatrical release set for October 10, 2007. The film is being distributed by The Cinema Guild and has not yet been rated. The Unforeseen has a total running time of 88 minutes.
88min
To aprovlepto
Greece
January , 2007
USA
March 09, 2007
USA
June 17, 2007
USA
June 23, 2007
USA
September 21, 2007
USA
September 30, 2007
Canada
October 05, 2007
New Zealand
October 19, 2007
Italy
October 25, 2007
UK
October 29, 2007
Austria
November 06, 2007
USA
November 19, 2007
Greece
February 21, 2008
Greece
February 29, 2008
USA
March 03, 2008
USA
No taglines exist for this title.
A documentary about the development around Barton Springs in Austin, Texas, and nature's unexpected response to being threatened by human interference.
A documentary that begins with an examination of a real estate developer in Texas named Gary Bradley. Growing up on a farm teaches him that he is completely dependent upon nature. He seeks to escape this life of contingency and leaves for the big city (Austin Texas) to become a real estate developer. In his words, "I wanted a life I had more control over." In his new career as real estate developer, he can cease being subject to nature and instead impose his own will upon the land. He does so, describing raw land as "a blank canvas" upon which his is able to paint his masterpiece, namely, a subdivision. But the unexpected implosion of the Savings and Loan industry eliminates his funding and leaves him with enormous debts. To worsen matters, an environmental movement emerges that directly opposing his development. This movement believes development will pollute the waters of Barton Springs, one of North American's largest spring-fed swimming holes. Environmentalists succeed in passing local ordinances that reduce the amount of development that is permitted which further reduces the potential profits of this now troubled subdivision.At this point, the film expands to include comments by Robert Redford who spent much of his childhood in Austin. He describes learning to swim in Barton Springs and how it awakened him to the natural world. He comments that much of America's natural heritage is coming under attack from people from "the outside" (often developers and their enablers) who have only short term interests. The landowners, homebuilders and other developers hire a lobbyist to "work the Legislature" and overturn these restrictions on development. The lobbyist succeeds in passing legislation that allows the development of over 10,000 additional acres "against the environmentalists objections." But Ann Richards, Democratic governor of Texas, vetoes the bill much to the chagrin of the lobbyists and landowners. So development interests attempt a new strategy to subvert the restrictive environmental ordinances. They frame the issue as a "property rights" battle and successfully enlist Texas' ranchers and farmers against the environmentalists. This culminates in the election of George Bush to Texas governorship. With Karl Rove as his chief strategist, they score an upset victory over the very popular Ann Richards. Bush's election finally sees the successful passage of "House Bill 1704." In the words of the lobbyist "It erased much of what the environmentalists had accomplished... The legislature burned Austin to the ground."The film concludes by returning to the developer who now finds himself in a federal bankruptcy case. He owes over $80 million and is being tried for filing of false bankruptcy. Courtroom audio is played to imagery of development, farmland and courtroom illustrations while the developer reflects on his strengths and weaknesses. The film draws to a close with the developer reflecting on the the pain of his failure. He is brought to tears when he reflects on burying his mother during his bankruptcy. The film ends with scenery from West Texas while the developer describes how he has been stripped of literally everything. He grapples with existential despair and describes that when you have absolutely nothing left, you face a much bigger issue, which is "dealing with God." He has come full circle, aware of his dependence and incapable of relying upon his own powers for control. The film ends with journalist William Greider commenting that perhaps Americans have, after 200 years of development, finally reached the point where they can mature and determine to not "leave a wreck behind us when we're gone."
Laura Dunn
Director(s)
Writer(s)
Madeleine Akers
associate producer
Laura Dunn
producer
Terrence Malick
executive producer
Carolyn Merriman
associate producer
Robert Redford
executive producer
Douglas Sewell
producer
Jef Sewell
producer
Rose Hansen Smith
co-producer
William Warren
co-producer
Producer(s)
Composer(s)
Gary Bradley
Judah Folkman
William Greider
Willie Nelson
Himself
Robert Redford
Ann Richards
This film has not yet been rated.
Director(s)
associate producer
Laura Dunn
producer
Terrence Malick
executive producer
Carolyn Merriman
associate producer
Robert Redford
executive producer
Douglas Sewell
producer
Jef Sewell
producer
Rose Hansen Smith
co-producer
William Warren
co-producer
Producer(s)
Other Films from The Cinema Guild
Alexandra, Jerichow, Neighboring Sounds (O Som Ao Redor), Planet of Snail, The Beaches of Agnès, The Betrayal, The Order of Myths, The Turin Horse
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