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Additional information for The Secret in their Eyes (El secreto de sus ojos), which has a domestic theatrical release set for April 16, 2010. The film is being distributed by Sony Pictures Classics and has not yet been rated. The Secret in their Eyes (El secreto de sus ojos) has a total running time of 129 minutes.

  • R USA
  • 13 Argentina
  • III Hong Kong
  • 16 Brazil
  • 18A Canada
  • MA Australia
  • 14 Switzerland
  • M/16 Portugal
  • PG12 Japan
  • 16 Ireland
  • M18 Singapore
  • R-18 Taiwan
  • 15 Sweden
  • 15 South Korea
  • 12 Germany
  • 18 UK
  • 7 Spain
  • U France
  • 129min
  • El secreto de sus ojos Peru
  • El secreto de sus ojos Spain
  • El secreto de sus ojos Uruguay
  • O Segredo dos Seus Olhos Brazil
  • O Segredo dos Seus Olhos Portugal
  • Tajna u njihovim očima Croatia
  • Tajna u njihovim očima Serbia
  • The Secret in Their Eyes International
  • The Secret in Their Eyes USA
  • Το Μυστικό στα Μάτια της Greece
  • Тайна в его глазах Russia
  • Тайната на нейните очи Bulgaria
  • Øjnenes hemmelighed Denmark
  • Dans ses yeux France
  • Gözlerindeki sir Turkey
  • Hemligheten i deras ögon Sweden
  • Hemmeligheten i deres øyne Norway
  • Il segreto dei suoi occhi Italy
  • In ihren Augen Germany
  • Katseeseen kätketty Finland
  • Secretul Romania
  • Sekret jej oczu Poland
  • Skrivnost njihovih oci Slovenia
  • Szemekbe zárt titkok Hungary
  • To mystiko sta matia tis Greece
  • August 13, 2009 Argentina
  • September 12, 2009 Canada
  • September 19, 2009 Spain
  • September 25, 2009 Spain
  • September 28, 2009 Brazil
  • October 16, 2009 Uruguay
  • November 04, 2009 USA
  • November 07, 2009 Paraguay
  • November 12, 2009 Argentina
  • December 03, 2009 Cuba
  • January 07, 2010 Chile
  • February 05, 2010 Ecuador
  • February 25, 2010 Israel
  • February 26, 2010 Brazil
  • March 06, 2010 Argentina
  • March 11, 2010 Argentina
  • March 13, 2010 USA
  • March 15, 2010 Belgium
  • March 20, 2010 Germany
  • March 25, 2010 Bolivia
  • March 25, 2010 Dominican Republic
  • March 26, 2010 Norway
  • March 28, 2010 Hong Kong
  • April 02, 2010 Sweden
  • April 08, 2010 France
  • April 14, 2010 Germany
  • April 16, 2010 USA
  • April 20, 2010 Romania
  • April 22, 2010 Romania
  • April 23, 2010 Canada
  • April 23, 2010 Finland
  • April 23, 2010 Turkey
  • April 29, 2010 Denmark
  • May 05, 2010 France
  • May 13, 2010 New Zealand
  • May 20, 2010 Portugal
  • May 27, 2010 Australia
  • May 28, 2010 Mexico
  • June , 2010 Aruba
  • June , 2010 UK
  • June 04, 2010 Italy
  • June 10, 2010 Greece
  • July 31, 2010 Poland
  • August 13, 2010 Ireland
  • August 13, 2010 UK
  • August 14, 2010 Japan
  • August 26, 2010 Netherlands
  • September 23, 2010 Peru
  • September 30, 2010 Russia
  • October 02, 2010 Philippines
  • October 21, 2010 Germany
  • October 21, 2010 Hungary
  • October 22, 2010 Poland
  • October 28, 2010 Germany
  • November 11, 2010 South Korea
  • March 18, 2011 Venezuela
  • June 07, 2011 Slovenia
  • October 02, 2011 Hong Kong
  • No taglines exist for this title.
  • A retired legal counselor writes a novel hoping to find closure for one of his past unresolved homicide cases and for his unreciprocated love with his superior - both of which still haunt him decades later.
  • The story, set in 1999, is told in flashback form: in June 1974 a federal justice agent, Benjamín Espósito, becomes spellbound by and subsequently entangled in the investigation of the crime of a young woman, brutally raped and murdered inside her house in a Buenos Aires neighbourhood. Her widowed husband, bank employee Ricardo Morales, is shocked by the news; Espósito vows to find the killer and bring him to justice. In his ordeal he is aided by his alcoholic assistent Pablo Sandoval and a newcomer, the upper class lawyer Irene Menéndez-Hastings, who takes over as department chief. Espósito's rivaling partner Romano pins the murder on two immigrant workers so as to get rid of the matter - an issue that enrages Espósito, who attacks Romano in a fury.He finds a tip soon enough while looking over some old pictures provided by Morales: he comes across a dubious young man - identified as Isidoro Gómez - who looks at the victim in a suspicious way in several photos. Espósito investigates the whereabouts of Gómez, and determines that he is living and working in Buenos Aires, but fails to locate him.Espósito and Sandoval break into Gómez' household in the city of Chivilcoy, hometown not only of Gómez, but also of Morales ill-fated wife. During the illegal search, they (unwillingly) steal a set of letters written by the suspect to his mother. Back in Buenos Aires, the deed earns them trouble back at the courthouse, and neither make nothing out the letters. In addition, Gómez remains at large due to a careless phonecall made earlier by Morales, who desperately wanted to apprehend the killer of his wife. In the end, it is Sandoval who comes across a new lead: a fellow drinker in the bar identifies the various names mentioned in the letters (neither with apparent connection) as them being those of various soccer players of Racing Club.After identifying him as a Racing Club fan, Espósito and Sandoval attend a soccer match where Racing Club plays against Huracán in hopes of catching Gómez. With the assistance of police officer Molinari and his men, they spot him among the crowd, but a sudden goal provides the necessary disturbance for Gómez to slip away. A surreal pursuit ensues in which Gómez nearly vanishes, but he's ultimately knocked down in the middle of the pitch. Espósito and Irene Hastings subsequently stage a fake, largely illegal interrogation at office. They succeed in bringing him to confess the murder by taunting him and hurting his macho pride.Justice seems served; however, barely a year later, Gómez is released by a spiteful Romano, who is now working for a government's agency. Amid an increasing political violence, Gómez is set to work as a hitman for the far-right wing of the Peronist party. Espósito finds Sandoval shot dead upon arriving home - Sandoval used to pass the night at the house of his coworker, due to endless arguments with his wife about his drink problems. He presumes, and imagines, that Sandoval was killed by hitmen sent after himself, perhaps under Romano's orders, and that Sandoval posed as Espósito and sacrificed his life for his friend. A building up romance between Benjamín and Irene -the latter then recently married- is cut short by Sandoval's death and Espósito ultimate decision to exile himself deep within the countryside, with the help of some Irene's relatives. Here the movie makes a definite stop on 1999. After coming back from exile in 1985, Espósito returned to an uneventfull career in Buenos Aires until his retirement. Haunted by the past, he's determined to write down his story in novel form. He presents the framework to Irene, still married and with children. She remains resentful and hardened from their sudden departure 24 years earlier, and for apparently never having had her feelings returned by him.Espósito drives to Chivilcoy to meet Morales, the widower, who has taken to a quiet life and gradually let go of his obsession with the murder case. Espósito promises him that he will not rest until he can put the convict once again in jail. A hesitant Morales then confesses to having killed Gómez many years ago, having kidnapped him and shot him in the trunk of his car. A disturbed Espósito leaves, but upon thinking over certain facts, secretly returns to Morales' house. Sneaking inside, he is shocked to find that Morales has a makeshift cell in his home and that he has kept Gómez chained inside for over 24 years as punishment for his wife's death. He kept him alive by feeding him and tending to him, but not once in 24 years talking to him nor letting him out. Morales repeats what he had mantained in front of Espósito back to 1974: that, instead of a death sentence, he believes the boredom of a meaningless life in jail to be true justice.Espósito leaves. He pays a visit to Sandoval's grave. Knowing that Gómez will never be a free man again, he finally comes to terms with his life. He visits Irene one more time, where he finally responds to her feelings. Their love rekindled, they smilingly shut themselves in her office.
  • Juan José Campanella
    Director(s)
  • Eduardo Sacheri
    Juan José Campanella
    Eduardo Sacheri
    Writer(s)
  • Daniela Alvarado
    delegate producer
    Mariela Besuievski
    producer
    Juan José Campanella
    producer
    Gerardo Herrero
    executive producer
    Guillermo Imsteyf
    assistant producer
    Axel Kuschevatzky
    associate producer
    Vanessa Ragone
    executive producer
    Carolina Urbieta
    producer
    Producer(s)
  • Federico Jusid
    Emilio Kauderer
    Composer(s)
  • Irene Menéndez Hastings Soledad Villamil
  • Benjamín Esposito Ricardo Darín
  • Liliana Coloto Carla Quevedo
  • Ricardo Morales Pablo Rago
  • Isidoro Gómez Javier Godino
  • Chica Piropo Bárbara Palladino
  • Ordóñez Rudy Romano
  • Pinche Mariano Alejandro Abelenda
  • Juez Fortuna Lacalle Mario Alarcón
  • Pablo Sandoval Guillermo Francella
  • Pinche Tino Sebastián Blanco
  • Romano Mariano Argento
  • Báez - Inspector José Luis Gioia
  • Agente Cardozo Juan José Ortíz
  • Molinari Kiko Cerone
  • Sicora Fernando Pardo
  • Guardia Comisaría Maximiliano Trento
  • Jacinto Cáceres Sergio López Santana
  • Juan Robles Elvio Duvini
  • Escribano Andretta David Di Napoli
  • Borracho 1 Pedro Kochdilian
  • Borracho 2 Oscar Sánchez
  • Alejandra Sandoval Gabriela Daniell
  • Madre Gómez Alicia Haydée Pennachi
  • Capataz Darío Valenzuela
  • Viejo Letrina Carlos Mele
  • Custodio Interrogatorio Iván Sosa
  • Madre Irene Judith Buchalter
  • Guardia Civil Ministerio Bienestar Social Héctor La Porta
  • Margarita Liliana Cuomo
  • Matón Alejandro Pérez
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