Additional information for Paper Moon, which has a domestic theatrical release set for May 9, 1973. The film is being distributed by Paramount Pictures and has not yet been rated. Paper Moon has a total running time of 102 minutes.
K-8
Finland
11
Sweden
PG
USA
PG
Singapore
PG
UK
PG
Canada
12
Germany
M/12
Portugal
16
Norway
16
West Germany
14
Brazil
13
Argentina
14
Peru
102min
Luna de papel
Argentina
Luna de papel
Mexico
Luna de papel
Peru
Luna de papel
Spain
Ay beyazdir
Turkey
Hartino feggari
Greece
La barbe à papa
France
Lua de Papel
Portugal
Lua de papel
Brazil
Mesec od papira
Serbia
Papírhold
Hungary
Paper moon - Luna di carta
Italy
Paperikuu
Finland
Papierowy ksiezyc
Poland
May 09, 1973
USA
May 16, 1973
USA
November , 1973
Spain
December 13, 1973
France
December 20, 1973
Argentina
December 20, 1973
Portugal
December 20, 1973
West Germany
December 25, 1973
Sweden
January 11, 1974
Italy
February 01, 1974
Finland
March 09, 1974
Japan
March 22, 1974
Belgium
April 17, 2010
USA
No taglines exist for this title.
During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.
It is the early 1930s, and a small funeral service is underway at the gravesite of Essie May Loggins. In attendance are two female acquaintances and Addie (Tatum O'Neal), the 9-year-old daughter of the deceased. Arriving late for the service is Moses Pray (Ryan O'Neal), a suave-looking younger man. It becomes clear that Essie May was a somewhat "loose" woman, and that Moses was one of her lovers. One of the women at the funeral says she notices a resemblance between Moses and Addie, and wonders if Moses is not the girl's father. Moses denies this, but the women persist in questioning him. When they find out that he is heading in the direction of Missouri, they convince Moses to deliver Addie to her aunt and uncle in St. Joseph. Moses is frustrated with this responsibility, but he sees an opportunity in it as well. Moses is a con man, and he uses his own knowledge of Essie May's affairs to blackmail a local man; he takes Addie in to briefly meet the man and then suggests that he may have fathered the child and that Moses could press the issue now that Essie May is dead. Instead of taking responsibility for the child, the man pays Moses $200 to keep quiet, and Moses uses the $200 to buy himself a new car, as well as a train ticket to St. Joseph for Addie. However, Addie is no innocent child. She overhears the conversation that Moses has with his victim, and she refuses to be used in a con game without any compensation: she demands the $200 that Moses acquired, arguing that it's rightfully her money. Moses is furious that Addie is sharp enough to figure out what was going on, and afraid that she might actually blow the whistle on him, he agrees to get her $200 back. After sending a telegram to Addie's relatives saying that she will be delayed, Moses takes Addie with him while he goes to make back her hush money.Addie learns that Moses' hustle is posing as a Bible salesman. He looks in the obituary section of the local newspaper, goes to the homes of men who have recently passed away, and informs their widows that their husbands ordered a Bible with the woman's name printed on the inside. While Moses is talking to a woman named Pearl, Addie finds material in the car with which he printed her name on the inside of the Bible. Touched that her deceased husband intended to buy her a gift, Pearl gives Moses the money for the Bible, and Moses' con is clear to Addie.Moze (as Addie refers to him) is annoyed with having to take Addie along with him on the road, and she reveals herself to be wise beyond her years at every turn. She carries a cigar box with her containing her only possessions in the world, other than her radio. Addie herself thinks that Moze is her father, and she reminds him of this several times, but he denies it consistently. Moze dislikes Addie being involved in his con, but he soon learns that she is an asset when he attempts to hustle a widowed woman into buying a Bible and suddenly a lawman appears in the house, questioning Moze about his business and his identity. Addie saves the day by rushing up to the house and charming the policeman, and she even ups the price of the Bible on the spur of the moment. In another instance, Addie takes pity on a woman who appears at her door surrounded by young children; Addie refuses to allow Moze to take the woman's money and leaves the Bible for her anyway. Moze is angry with Addie for interfering in his affairs, but Addie understands now that she is partners with Moze, and their con turns into profitable business. Moze also teaches Addie different con techniques, such as how to talk sales clerks out of money, and Addie's charm works well for them.Things take a different turn when Moze and Addie visit a traveling carnival and Moze acquires a girlfriend named Trixie Delight (Madeline Kahn). Trixie appears in the carnival as a 'harem girl', and there is a suggestion that she does a little more than just dance for the male patrons. Moze informs Addie that Trixie and her personal maid, Imogene (P.J. Johnson), will be traveling with them from now on, and Addie is furious to have their relationship interrupted by Trixie, who is a loud, obnoxious woman. Addie becomes sullen and ignores Trixie until she has a frank conversation with the girl; Trixie admits that she can never hold onto a man for very long, and that if Addie is patient, Moze will soon tire of her and she will move on.Addie seems to accept this proposition, until Trixie talks Moze into buying a very expensive new car; Addie looks in her cigar box and finds all of their money gone. This is the final straw for Addie, and she immediately plots Trixie's downfall. Enlisting the harried Imogene to help her, the two of them arrange for Trixie to be caught in a compromising position with the desk clerk of the hotel where they are staying. For her part in the scheme, Addie gives Imogene enough money to get back home to her family, and after Moze catches Trixie in bed with the clerk, he immediately collects Addie and abandons Trixie.From here, Addie and Moze seize another opportunity: while staying at a small hotel in a rural area, Addie notices a bootlegger conducting business quietly. His customers approach him and he retrieves their liquor from a small shed in back of the hotel. Addie and Moze get the idea to climb into the shed and steal some of the liquor, then sell it back to the bootlegger. Although their scheme works, they do not know that they have been found out by a man lurking in the shadows nearby. As they leave the hotel in their car, they are pursued by a sheriff who takes them into custody. While at the sheriff's station, Moze and Addie are questioned relentlessly. Although he knows what they did, he cannot prove anything--Addie has hidden the telltale cash they made in her hat. The sheriff intends to keep Addie and Moze locked up until he can pin something on them, so Addie spontaneously comes up with a plan; she steals back the keys to their car and urges Moze to make a break for it. Together they rush outside and make a quick getaway. Pursued by the sheriff and his men, they manage to make it across the border into Missouri, where the sheriff has no jurisdiction and cannot arrest them. Realizing that their car will make them conspicuous, Moze spots a dilapidated old truck outside a farm and rouses the inhabitants of the shabby farmhouse. Making up a reason, he informs them that he needs to swap vehicles and that he will give them the brand new car in an even trade for their broken down truck. The men refuse to trade, saying that the new car is no use to them since it cannot haul anything, so Moze offers to wrestle for it. The men can't resist the challenge and send their best 'wrassler', Leroy (Randy Quaid), to take on Moze. Moze quickly takes the match, however, by playing dirty, and he 'wins' the right to drive off in the beat-up truck.Now that the two of them are in Missouri, the issue comes up about Addie's original destination: her aunt & uncle's house. Moze instead suggests that this is no longer necessary; they will conduct business as usual, as they are partners. Both of them are happy with this decision, as they don't really want to be separated.Moze quickly sets up an opportunity for a very big score involving a wealthy gentleman, and he tells Addie that this will net them enough money to finally get out of the con business. Moze sets out to meet their mark, with Addie to follow later, but he is intercepted by the sheriff from Kansas and his men; while they cannot arrest Moze for his crime in Kansas, they are only interested in revenge, and they chase Moze down and beat him severely. Addie knows something is wrong when Moze is nowhere to be found, and she finds him beaten and bloodied, lying in a stairwell.Now that violence has found him, Moze has a change of heart about having Addie along in this lifestyle; he will take her to live with her aunt and uncle after all. Addie promises that she will not cry about separating from Moze, but when he drops her off at the house, she is less than enthused about living there. Addie's aunt (Rose-Mary Rumbley), is a flighty woman who treats Addie like the child she is, and Addie is put off by her cloying and overly cheerful attitude.Meanwhile, Moze has set off up the road in the broken down truck, which stalls out and leaves him sitting there. He is down on his luck, but even more, he is heartbroken about Addie leaving. Suddenly he looks up into his rear view mirror and sees her, off in the distance, running toward the truck. Although he is glad to see her, he puts on a stern face and stares her down, telling her "I told you, I don't want you riding with me no more." Addie is hurt at first, but then she stares back at him and says "You still owe me $200." Moze is flustered, and the truck begins to drift away while he isn't looking. Addie shrieks in warning, and they both run after it. Together they climb inside and drive off to a new destination.
Peter Bogdanovich
Director(s)
Joe David Brown
Alvin Sargent
Writer(s)
Peter Bogdanovich
producer
Frank Marshall
associate producer
Francis Ford Coppola
executive producer (uncredited)
William Friedkin
executive producer (uncredited)
Producer(s)
Composer(s)
Moses Pray
Ryan O'Neal
Addie / Addie Loggins
Tatum O'Neal
Trixie Delight
Madeline Kahn
Deputy Hardin / Jess Hardin
John Hillerman
Imogene
P.J. Johnson
Miss Ollie
Jessie Lee Fulton
The Minister (as Jim Harrell)
James N. Harrell
The Minister's Wife
Lila Waters
Mr. Robertson
Noble Willingham
Gas Station Attendant
Bob Young
Station Master
Jack Saunders
Cafe Waitress
Jody Wilbur
The Widow Morgan (Pearl)
Liz Ross
The Widow Bates (Marie)
Yvonne Harrison
The Lawman - Bates' Home
Ed Reed
Ribbon Saleslady
Dorothy Price
The Widow Stanley (Elvira)
Eleanor Bogart
The Widow Huff (Edna)
Dorothy Forster
Moze's Girlfriend
Lana Daniel
The Barber
Herschel Morris
Salesgirl ($20 bill)
Dejah Moore
Store Manager
Ralph Coder
Store Customer
Harriet Ketchum
Cotton Candy Man
Desmond Dhooge
Harem Tent Barker
Kenneth Hughes
The Photographer
George Lillie
Floyd (Desk Clerk)
Burton Gilliam
Beau (Hardin's Deputy)
Floyd Mahaney
Leroy's Father
Gilbert Milton
Leroy
Randy Quaid
Leroy's Brother
Tandy Arnold
Leroy's Brother
Dennis Beden
Leroy's Brother
Vernon Schwanke
2nd Deputy
Hugh Gillin
Silver Mine Gentleman
Art Ellison
Aunt Billie (as Rosemary Rumbley)
Rose-Mary Rumbley
Himself (on his radio show) (voice) (uncredited) (archive footage)
Jack Benny
Fibber McGee (on his radio show) (voice) (uncredited) (archive footage)
Jim Jordan
Molly McGee (on her radio show) (voice) (uncredited) (archive sound)
Marian Jordan
Himself on Jack Benny Radio Show (voice) (uncredited) (archive footage)
Don Wilson
Director(s)
Alvin Sargent
Writer(s)
producer
Frank Marshall
associate producer
Francis Ford Coppola
executive producer (uncredited)
William Friedkin
executive producer (uncredited)
Producer(s)
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