Total FilmHard, fast, brutal: Soderberghs sucker-punch return to action knows what its about. Not subtle or substantial, but it gets t...
ReelViewsSteven Soderbergh's Haywire exhibits a remarkable economy of screen time - unusual in an era of bloated action films in whic...
Chicago Sun-TimesThere must be Freudian insights explaining why so many young males respond positively to superwomen as heroines
Chicago Sun-TimesCarano is wonderfully athletic, which is just as well, because she spends most of the film being wonderful athletic.
Chicago TribuneCarano may not be a born or a natural actress; she is, however, an undeniable and heartening rebuke to the skinny-Minnies Ho...
Rolling StoneHaywire comes close to achieving Soderbergh's goal of creating "a Pam Grier movie made by Alfred Hitchcock."
The New York TimesIt is self-consciously and aggressively trivial, a feast for formalists who sentimentalize the gloriously cheap B-movies of ...
New York Daily NewsCarano is cool and in control, even after running, in real time, several blocks and pummeling a guy in an alley. But Haywire...
Wall Street JournalThere's no deeper meaning to Steven Soderbergh's thriller than what meets the eye, yet its lustrous surfaces offer great and...
The Boston GlobeThe pleasure of this small, eccentric movie is the natural way Carano hurts people - by, say, walking partway up a wall and ...
Los Angeles TimesWatching Carano kick, spin, flip, choke, crack and crush the fiercest of foes - mostly men about twice her size - is thoroug...
San Francisco ChronicleYou don't love movies if the sight of Gina Carano beating up every guy in sight doesn't make you laugh, get happy and feel a...
Salon ArtsHaywire is a lean, clean production, shot and edited by Soderbergh himself and utterly free of the incoherent action sequenc...
USA TodayA vigorous spy thriller that consistently beckons the viewer to catch up with its narrative twists and turns. Bordering on c...
Washington PostHaywire stays true to its low-rent B-movie principles, right down to the fast, strong and quietly competent heroine at its c...
SlateThough Carano isn't without a certain glowering charisma, her flat line readings and apparent discomfort with dialogue-heavy...
Entertainment WeeklyHaywire is zippy and visually sophisticated, with tonal palettes color-coded (as in Traffic) to help make sense of time and ...
JobloI really had a blast with HAYWIRE, and seeing it makes me really sad that Soderbergh ended up dropping out of THE MAN FROM U...
Film School RejectsGina Carano is an action star; hand to hand fights are exciting and beautifully choreographed; fantastic cast getting the cr...
Film FractureHaywire will not fail to engage, please, incite laughter, provide action, and inevitably make any moviegoer happy they went ...
Hollywood ReporterMartial arts maestra Gina Casrano convincingly kicks considerable ass in Steven Soderbergh's engaging action lark.
Film School RejectsThe fight scenes ramp up over the course of the film, making the last one the roughest, tumbliest, and most bone-crunchy of ...
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Partial Film Information
Director: Steven Soderbergh
Writer: Lem Dobbs
Studio: Relativity Media
Cast: Gina Carano, Channing Tatum, Ewan McGregor
Release: January 20, 2012
Writer: Lem Dobbs
Studio: Relativity Media
Cast: Gina Carano, Channing Tatum, Ewan McGregor
Release: January 20, 2012
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