
The Duchess
by Eric Sloss

Period pieces invoke different responses from different people. Some people enjoy the dress, customs and the speech of a day long ago. Others are bored by the spectacle and want more action in their movie going experience. That is the problem filmmakers face when making such a film. They want to please their core audience, while also making it interesting enough to hold the attention of the most fickle watcher.
The Duchess succeeds because it tackles issues that people in the present day can relate to. Issues like fidelity, trust and womans place in the house are put on display and examined in a fascinating way. Keira Knightley plays the title character Georgiana Spencer, the Duchess of Devonshire. We first see Georgiana frolicking with her friends and flirting with the local boys. Meanwhile her mother (Charlotte Rampling in a strong performance) is arranging a marriage for her with the Duke of Devonshire (Ralph Fiennes). She promises that the women from the Spencer family do not have problems delivering male heirs. This is especially important back in the 1770s and 1780s in
Knightley seems right at home in a corset. She has had a lot of practice with the Pirates movies and with Pride & Prejudice. It is with this experience that Knightley attacks this role with such fire and glee. There is a whole range of emotions that Georgiana goes through that Knightley performs with such aplomb.
Georgiana went into the marriage with such high hopes. She really wanted to converse daily with the Duke and be able to share in his life. This dream was quickly dashed. The Duke told her early on that he only wanted two things from her: loyalty and a male heir. Fiennes does a good job conveying the coldness and the steely resolve of the Duke. He wants everything prim and proper. The Duke was definitely a man of his times.
The Duchess effectively explores the dynamics of marriage in 18th century
The Duchess
by Eric Sloss

Period pieces invoke different responses from different people. Some people enjoy the dress, customs and the speech of a day long ago. Others are bored by the spectacle and want more action in their movie going experience. That is the problem filmmakers face when making such a film. They want to please their core audience, while also making it interesting enough to hold the attention of the most fickle watcher.
The Duchess succeeds because it tackles issues that people in the present day can relate to. Issues like fidelity, trust and womans place in the house are put on display and examined in a fascinating way. Keira Knightley plays the title character Georgiana Spencer, the Duchess of Devonshire. We first see Georgiana frolicking with her friends and flirting with the local boys. Meanwhile her mother (Charlotte Rampling in a strong performance) is arranging a marriage for her with the Duke of Devonshire (Ralph Fiennes). She promises that the women from the Spencer family do not have problems delivering male heirs. This is especially important back in the 1770s and 1780s in
Knightley seems right at home in a corset. She has had a lot of practice with the Pirates movies and with Pride & Prejudice. It is with this experience that Knightley attacks this role with such fire and glee. There is a whole range of emotions that Georgiana goes through that Knightley performs with such aplomb.
Georgiana went into the marriage with such high hopes. She really wanted to converse daily with the Duke and be able to share in his life. This dream was quickly dashed. The Duke told her early on that he only wanted two things from her: loyalty and a male heir. Fiennes does a good job conveying the coldness and the steely resolve of the Duke. He wants everything prim and proper. The Duke was definitely a man of his times.
The Duchess effectively explores the dynamics of marriage in 18th century
Jason Adams reviews "The Duchess"
Read More...